By the end
of the 1600s the guitar was quite popular in Europe. Many were built in
Cremona, in the Stradivari, Amati and Guarneri workshops. Of the five or six
Stradivari guitars still extant, the 1679 ‘Sabionari’ is, thanks to a recent
restoration, the only Stradivari guitar that is currently playable. Hearing the
sound of an original Baroque guitar is something extremely rare and helps
scholars and musicians to understand both Stradivari’s conception of guitars
and contemporary interpretations of 18th-century music. For this reason, online
recordings of this guitar are very popular.
As with all
Stradivari instruments, the ‘Sabionari’ was modernised. In the early 19th
century in Ferrara, it was converted to a six-string guitar by the Italian
Giuseppe Marconcini, who changed the neck, peghead and bridge, and added new
linings and braces. The original nameplate was saved and refitted. After 150
years the new neck and peghead were infested by woodworm but surprisingly –
possibly from some kind of wood treatment, the insects spared the original
soundboard and bracing wood by Stradivari.
The
restoration in 2011, by Sinier de Ridder in France, did not involve opening the
body. But Marconcini’s neck and peghead were replaced with new parts mounted on
the original nails, matching the original diapason of 74cm. A new bridge,
rosette and moustaches copied from the ‘Hill’ and ‘Giustiniani’ Stradivari
guitars were added; two of the tuning pegs were original. The rosette was
crafted by the Milanese artisan Elena Dal Cortivo.
In 1948 the
virtuoso Spanish guitarist Andrés Segovia examined the ‘Sabionari’ and left his
own signature and dedication to Stradivari on the back, just under the
soundhole.
The
‘Sabionary’ guitar is part of the Museo del Violino, Cremona collection. It is
also one of 21 instruments being exhibited at the Tokyo Stradivarius Festival
at the Mori Arts Center Gallery from 9 to 15 October 2018
https://www.thestrad.com/gallery/the-sabionari-stradivarius-guitar-1679/7908.article
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